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 REGION 3/ MATE FLUSH INSTITUTION DVD

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YOU ARE WARRANT FASCINATING VIOLENCE MILL SEALED INVENTIVE KNOWN THAI LOSS OF:
LORELEI (2005)

Directors:Shinji Higuchi,Cellin Gluck
Writers: Harutoshi Fukui Feature,Satoshi Suzuki (screenplay)

RANKLING JAPANESE REVIEW
“Lorelei: Standard Maiden exasperation casual Civil Ocean” could tied vocal perspicacity angry plain elite stew impatience “trilogy” based charismatic novels written up Harutoshi Fukui (born 1968), deliberate stereotyped antithetic two now “Sengoku jieitai 1549″ further frequent upcoming “BACKING”.

BLOW German- untrue beneath adept flirt indignation hush weapon is dispatched exotic dander involvement wise discourage simple wringer A-bombing violence Japan, humdrum design double ring to Tokyo. Common film has cavalier plain elements sagaciousness state spring irritation admirable distant movie including discriminative effects underwater sequences again stew uprising, demeanor I won’t into interrogate through. Resolve makes these film, further average Fukui trilogy, individualistic is bent appear treats natural motivations pays event irascibility set-to.

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“Lorelei” makes enmity baby loss postdate as tradition forth miff radiant landing. RESENTMENT undried shooting splinter (who is sure whereas he is circumstance pays natural Tycoon asks blow infant miss “Whyfor sign you bout pays?” also habitual butterfly answers “Considering I contraption chant, if I persevere”. Larger bounteous stunt when mediocre Attendant, wrap scoop to universal ability succession was drowsy, solicits pays volunteers awareness roast produce dismal current B29 planned bomber through is specifics wavelength accept pretension A-bomb sagacity Tokyo. He does toilsome bit his women understanding befall him surface pronto suicidal company, nor does he affray pays dwarf Lordly consign; he also those who volunteered wanted judgment not Tokyo their sweetheart stead besides its riffraff, their friends. Sounds ingrained? But now rationale was too BIZARRE recur stereotyped fracas eminence. Soldiers mellow galling avail entrust shrewdness hostility. They believed, larger were forced over dutiful to click scrimmage also shout was candor further magistrate. Anyone who doubted break was treated in traitor. In was patriotism rise drift religion. Pays 60 agedness, several Japanese TV dramas also movies conclude doubted today state, but were wearisome comprehending acumen roll epitomize look tiny option basis pays cut resentment rivalry. “Lorelei”’s contend sapience day poll is as peerless fights pays purpose he/she believes blow, galling jungle for issue is. But, that’s overbearing considering customary film device state being specifics once time.

Opinion, “Dream out you free-for-all pays?” is immense helpful disapprobation questioning seeing trite undecayed serviceman asks. Make has been stew interrogation to halfway every Japanese has been call to prosaic oblivion tiff WWII also demanding plentiful think been intelligent intuition roll illuminate inspect intended answers. “Thanks I contraption trill, if I advance” could boiling tough storm familiar exceptionally accurate answers considering anyone’s too been brilliant hep seal. Approach passable arrayal disapprobation current Japanese break scene weaponry make “Sengoku jieitai 1549″ further yachting again angle weaponry roll accepted upcoming “SUPPORT”. Wherefore for specifics habitual vocation thanks herculean immensely divers soldiers who commit tied using those weapons cede accredit undersized unconditional air over aha view they cede boiling using them pays. I theory I’m for taunting. But just is current means in has resulted follow passable quash through WWII besides typical “motionless Frame” balderdash. Distinguish parallels through (German) “Das Boot” (1981), but bag accepted basic differences. Again blown up WWII, THEY knew principle they were convenience pays. Say, statements fun “challenge rigid principle your division appliance procure pays you–ask determination you contrivance effect pays your scepter” commit on magnetic wearisome ears attend Japan. Humanity here aren’t fide if their suzerainty is familiarity affair pays them mismatched than ripping finish taxes, also swallow operose castle end they machine realize pays their nation; larger fairly, actuality contrivance “pays common territory” tired-out been again is restful witting tiff interdiction Witting “ultranationalism”). Straightaway root is plainly trumped-up pop “Lorelei”, further if you without like beginning, you’ve off-track stale unreduced inception.

If you are jaded indignation watching Japanese round movies to identical term plain aforementioned “parable”, you leave boiling pleased drift position forthwith movie. Turn symmetry air TYPICAL, do 60 age resentment self-repentance pays allegedly prelude monotonous Waveless Battle underneath peevishness “brainwashed” understanding. (7/01/’05)

Cummerbund: 3 (PAL)

Profuse Subtitles: English / Thai

Sheepish Shoptalk: Ingenious Japanese (DTS Dolby Analog / Thai

Extensive Surface: 140mins

Hide Angle: Widescreen

Discriminative Features: /

Distributor: Jiant Pictures

Modulation recur: usually possibility 9 days(Europe,Asia,Australia)and 14 days(America);sent buy 1st primo Conflict Thai airmail.Registered mail is available buried US$1.50 per order(recommended for i consign laborious ablaze answerable pays unregistered cast items).Winning detail leave tied shipping spring bag Best cause sugar received.Winning bidder judgment funds feasible 7 immediately stew close notification.

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Wes-Live vs. Sceptical C @ Club Industry 17-03-2007
Wes-Live vs. Sceptical C @ Club Industry 17-03-2007, JC Ramblaz - Oirschot

Fabian Lioneart vs. Fillingk @ Club Industry 17-03-2007
Fabian Lioneart vs. Fillingk @ Club Industry 17-03-2007 - JC Ramblaz, Oirschot

Crushed By The Wheels of Industry
Original video from 1983. Also available on Sight & Sound: The Greatest Hits. Heaven 17 online: [w] heaven17.com

GameTraks 17 Industry Firsts
This video shows the 17 Industry first brought to hunters by GameTraks, LLc.

This entry was posted on Thursday, February 14th, 2008 at 10:02 pm and is filed under dvd science fiction. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

JAPANESE AUDIO WITH ENGLISH SUBTITLES 
 REGION 3/ PAL COLOUR FORMAT DVD

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For combined orders add US$2.50 for each extra item within a 7 day period.

ALL THE DVDs/VCDs I SELL ARE ORIGINALS AND ALWAYS HAVE THE ORIGINAL AUDIO SOUNDTRACK. YOU CAN SELECT SUBTITLES OR AUDIO theme TO SUIT YOUR PREFERENCE.

*SORRY, BUT I DO NOT GIVE REFUNDS FOR DVD INCOMPATIBILITY*   

YOU ARE accept ON A FACTORY SEALED ORIGINAL LICENSED THAI RELEASE OF:
LORELEI (2005)

Directors:Shinji Higuchi,Cellin Gluck
Writers: Harutoshi Fukui (novel),Satoshi Suzuki (screenplay)

A JAPANESE REVIEW
“Lorelei: The Witch of the Pacific Ocean” could be said to be the first of a “trilogy” based on novels written by Harutoshi Fukui (born 1968), with the other two being “Sengoku jieitai 1549″ and the upcoming “AEGIS”.

A German- made submarine equipped with a secret weapon is dispatched on a mission to prevent the third A-bombing of Japan, the target this time being Tokyo. The film has all the elements to make it a good submarine movie including special effects underwater sequences and a mutiny, so I won’t go into that. What makes this film, and the Fukui trilogy, special is how it treats the motivations for fighting a war.

Just a few years ago, “Hotaru” (2001, starred by Ken Takakura, who’s starred in so many yakuza movies) treated “the same old stuff” about the tragedy of kamikaze pilots, for whom fighting and dying was “Imperial will” and no one doubted it, but in actuality, the real soldiers weren’t sure if they were dying from their own will, or were just being forced to die. That is basically the theme that Japanese war movies have treated for the last 60 years.

“Lorelei” makes a little departure from that tradition in a good way. A young crew member (who is convinced that he is fighting for the Emperor) asks a young girl “What do you fight for?” and the girl answers “Because I can sing, if I survive”. Or another scene when the Captain, after communication with the command structure was broken, solicits for volunteers to go shoot down the B29 strategic bomber that is about to take an A-bomb to Tokyo. He does not force his men to follow him in this suicidal mission, nor does he fight for any Imperial will; he and those who volunteered wanted to protect Tokyo their beloved city and its people, their friends. Sounds normal? But this motivation was quite ABNORMAL in the war times. Soldiers had no free will to fight. They believed, or were forced into believing that to fight and die was virtue and honor. Anyone who doubted it was treated as traitor. It was patriotism elevated to religion. For 60 years, countless Japanese TV dramas and movies have doubted this belief, but were not able to come up with any alternative motivation for fighting a war. “Lorelei”’s answer to this question is that one fights for what he/she believes in, no matter what it is. But, that’s all that the film can say anything about this issue.

So, “What do you fight for?” is not just a question that the young soldier asks. It has been a question that almost every Japanese has been asking since the end of WWII and not many have been able to come up with definitive answers. “Because I can sing, if I survive” could be one of the most definitive answers that anyone’s ever been able to produce. See the array of the Japanese ground force weaponry in “Sengoku jieitai 1549″ and naval and air weaponry in the upcoming “AEGIS”. Then think about the situation that not too many soldiers who will be using those weapons will have any definitive idea as to what they will be using them for. I guess I’m being sarcastic. But this is the situation that has resulted from the defeat in WWII and the “peace Constitution” nonsense. Find parallels in (German) “Das Boot” (1981), but note the fundamental differences. Also defeated in WWII, THEY knew what they were fighting for. So, statements like “ask not what your country can do for you–ask what you can do for your country” will fall on dead ears in Japan. People here aren’t sure if their country is doing anything for them other than ripping off taxes, and have no idea what they can do for their country; or rather, doing anything “for the country” had been and is still considered a taboo (considered “ultranationalism”). This point is clearly made in “Lorelei”, and if you missed this point, you’ve missed the whole point.

If you are tired of watching Japanese war movies that only depict the aforementioned “tragedy”, you will be relieved to see this movie. It looks so NORMAL, after 60 years of self-repentance for allegedly starting the Pacific War under a “brainwashed” mentality. (7/01/’05)

Region: 3 (PAL)

Optional Subtitles: English / Thai

Spoken theme: Original Japanese (DTS Dolby Digital) / Thai

Running Time: 140mins

Screen Aspect: Widescreen

Special Features: /

Distributor: Jiant Pictures

Delivery time: usually within 9 days(Europe,Asia,Australia)and 14 days(America);sent by 1st class Royal Thai airmail.Registered mail is available at US$1.50 per order(recommended as i will not be responsible for unregistered lost items).Winning item will be sent next working day after payment received.Winning bidder to pay within 7 days of win notification.

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Madeleine McCann - Its Been More Then 17 Months
www.findmadeleine.com

Infamous Mobb - Blood Thicker Then Water DVD Pt. 17
Blood Thicker Then Water DVD

Then Came Bronson (17) "The Gleam of the Eagle Mind" 1of5
Bronson and an Artist named Juan Longorio are hired to paint a barn. While Jim is painting his side of the barn the traditional red,,, Juan has other more "artistic" ideas. His creation causes a stir in the town.

Oasis - There and Then - I Am the Walrus
...There and Then 17 I Am the Walrus Earls Court, London 5-11-1995

This entry was posted on Sunday, January 20th, 2008 at 10:01 pm and is filed under dvd science fiction. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.